Advanced Computer Graphics Course Introduction
This course delves deeper into Computer Graphics concepts, building on previous knowledge. Components include Introductory Lectures, Student Presentation Seminars, and Project work. Topics covered include Advanced Shading, Light Transport, and GPU Architecture. Students are encouraged to actively engage and ask questions to enhance their learning experience. Attendance is crucial, with grading based on projects. Prepare for insightful lectures, engaging seminars, and hands-on projects in this advanced graphics course.
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Presentation Transcript
Hollow Vertices Norah Lorway
Contents Supporting Statement Research Output Project Details Page 2 Page 3 Page 4 Contextual Evidence Dissemination Page Page
Project Details - Key dates - Role - Funders - Partners - Collaborators/ key people
300-Word Supporting Statement Hollow Vertices is an improvisatory audio-visual performance environment. The piece was created by Norah Lorway, who lives code during the performance, Kiran Bhumber on clarinet and Nancy Lee who VJs throughout the performance. improvised. The composition converges disciplines and mediums by augmenting sensorial modalities through human-computer interaction. This is realized through employing different programming languages, combinations of instruments, and reacting to the collective output while maintaining awareness of individual contributions to the composition. The sonic components are co-created through live coding in the real-time audio synthesis language, Supercollider. This results in the creation of dense percussive and ambient textures. The two sound sources are linked through a custom built network upon which each performer has control over the others code. This produces developmental elements in the composition. This is combined with an amplified clarinetist using a custom programmed pedal board in Max/MSP to drive live audio effects. Hollow Vertices was premiered at Vivo New Media Center in Vancouver British Columbia, Canada in 2015. It has had subsequent performances at the International Conference on New Musical Interfaces in Brisbane, Australia in 2016, a tour of Asia in 2016, Toronto Electroacoustic Symposium, Canada in 2016 and finally the International Conference on Live Coding in Hamilton Canada, 2016. A projected image is displaying the sound source s live-code, framed by another projection of video content manipulated in real-time through an internal video feedback process programmed in CoGe VJ. The video feedback is processed by custom-built effects that transform the content into new video feedback abstractions. Effects are programmed so unpredictable visual outcomes or glitches appear. The visual glitches aid in the transitional process between visual aesthetics during the performance. Some visual effects are programmed to interact rhythmically with the composition, and some are manually controlled as the piece is
Research Output Hollow Vertices https://vimeo.com/460114522/e459f5839f Running time: 10:28
