Audio Subtitling: AST and AD Examples, Delivery Methods, and User Engagement
Dive into the world of audio subtitling with insights on AST and AD examples, delivery options like text-to-speech vs. human voices, and user engagement strategies. Explore how different end users are informed and involved in the creation and evaluation processes.
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AUDIO SUBTITLING MODULE 5 UNIT 1 ANNA MATAMALA UNIVERSITAT AUT NOMA DE BARCELONA Dept. of Legal, Language, Translation and Interpreting Studies, Section of in Modern Languages for Interpreters and Translators University of Trieste, Via Filzi, 14 - 34144 Trieste, Italy Project numberStudies: 2016-1-IT02-KA203-024311 www.adlabproject.eu FUNDED BY THE ERASMUS + PROGRAMME OF THE EUROPEAN UNION
JAPANESE FILM SUBTITLED IN NORWEGIAN?
WHAT IF YOU CANNOT READ THE SUBTITLES?
TEXT MESSAGE FILM CREDITS TEXT ON SCREEN SUBTITLES CAPTIONS LOGOS
SUBTITLING COUNTRIES AUDIOVISUAL TRANSLATION VOICE-OVER COUNTRIES DUBBING COUNTRIES
AUDIO SUBTITLES AUDIO CAPTIONS AUDIO SUBTITLING SPOKEN CAPTIONS SPOKEN SUBTITLES AUDIO TEXT
OVERVIEW Relationship AST-AD. AST delivery and creation. Users.
AST & AD AST as an independent service. AST together with AD.
AST & AD Example 1: Swedish live broadcasting.
AST & AD Example 2: Inglourious Basterds.
DELIVERY Text-to-speech versus human voices. Live and recorded audio subtitles. Semi-live delivery.
USERS Different end users. Informing users about the availability.
USERS Involving users in the creation and evaluation processes. Giving users the possibility to choose.
DELIVERING AST Synchronisation issues. Synchronisation strategies: speed and/or text.
DELIVERING AST Voice-over effect. Dubbing effect.
IDENTIFYING AST Voices. Prosody. Descriptive words.
IDENTIFYING CHARACTERS Voices. Prosody. Name. Reported speech.
REFERENCES Remael, A., Reviers, N., Vercauteren, G. (2015) Pictures painted in Words. ADLAB Audio Description guidelines. Trieste: EUT, www.adlabproject.eu/Docs/adlab%20book/index.html
REFERENCES Remael, A., Reviers, N., Vercauteren, G. (2015) Pictures painted in Words. ADLAB Audio Description guidelines. Trieste: EUT. www.adlabproject.eu/Docs/adlab%20book/index.html HBB4ALL guidelines: pagines.uab.cat/hbb4all/content/accessibility-guidelines
REFERENCES Braun, S., Orero, P. (2010) Audio description with audio subtitling. Perspectives. Studies in Translatology, 18:3, 173-188.
REFERENCES Braun, S., Orero, P. (2010) Audio description with audio subtitling. Perspectives. Studies in Translatology, 18:3, 173-188. ISO/IEC TS 20071-25:2017.
AUDIO SUBTITLING MODULE 5 UNIT 1 ANNA MATAMALA UNIVERSITAT AUT NOMA DE BARCELONA Dept. of Legal, Language, Translation and Interpreting Studies, Section of in Modern Languages for Interpreters and Translators University of Trieste, Via Filzi, 14 - 34144 Trieste, Italy Project numberStudies: 2016-1-IT02-KA203-024311 www.adlabproject.eu FUNDED BY THE ERASMUS + PROGRAMME OF THE EUROPEAN UNION
The preparation of this presentation was supported by ADLAB PRO (Audio Description: A Laboratory for the Development of a New Professional Profile), financed by the European Union under the Erasmus+ Programme, Key Action 2 Strategic Partnerships, Project number:2016-1-IT02-KA203-024311.
The information and views set out in this presentation are those of the authors and do not necessarily reflect the official opinion of the European Union. Neither the European Union institutions and bodies nor any person acting on their behalf may be held responsible for the use which may be made of the information contained therein.
