Betty Woodman: Pioneering Ceramic Artist and Feminist Icon
Celebrate the life and work of Betty Woodman, the American artist who revolutionized ceramics by elevating domestic items to fine art. Explore her experimental and energetic approach, feminist strategies, and symbolic vases that transcend utilitarian boundaries. Discover how Woodman's legacy continues to inspire and influence contemporary American crafts.
Download Presentation
Please find below an Image/Link to download the presentation.
The content on the website is provided AS IS for your information and personal use only. It may not be sold, licensed, or shared on other websites without obtaining consent from the author. If you encounter any issues during the download, it is possible that the publisher has removed the file from their server.
You are allowed to download the files provided on this website for personal or commercial use, subject to the condition that they are used lawfully. All files are the property of their respective owners.
The content on the website is provided AS IS for your information and personal use only. It may not be sold, licensed, or shared on other websites without obtaining consent from the author.
E N D
Presentation Transcript
American artist Betty Woodman recently died at the age of 87 primarily worked with clay to create ceramic pieces ceramic studies at the New York State College of Ceramics studied the history and technique of ceramics in Italy Work seen as metaphoric in this sense because she moved away from the functionality but much rather dissected and deconstructed these vases Art Practise Overcomes stigmas of domestic use of these forms
its oversized scale prohibits its use as an actual pitcher . that Woodman has borrowed from ceramic history the objects ancient Mediterranean shape and tri colour T angdynasty pallet. Persian Silk Pillow Pitcher, 1986 . To make the pitcher look like an overstuffed pillow bursting at the seams, the artist made two cylinders, which she attached in the middle and pinched closed at the ends. alludes to the domestic as a window to elsewhere, a figurative sphere overcoming the division between utilitarian and institutional space, function and pleasure, private and public, the studio and the gallery .
Endlessly experimental, gutsy and energetic in character as art critics have considered her work to be a feminist strategy, an elevation of domestic items to the status of fine art. The poster accompanying the exhibition showed Woodman standing, arms akimbo, behind one of her vases, so that the artist was occluded by her own work. Response to her work celebrates the symbolic value of the vase as an archetypal form. And writes that her show could be viewed as an expanded tableau of imaginary domestic settings populated by tubular vase templates camouflaged by protruding surfaces. It has also been argued that other important 20th century influences were Matisse Picasso and Bonnard. The vases are artistic metaphors for what we all want; to be loved an to be enjoyed.
Contemporary American Crafts Darrel Sewell, Ivy L. Barsky and Kelly Leigh Mitchell Philadelphia Museum of Art Bulletin Journal Article https://www.theguardian.com/artanddesign/2018/jan/17/betty- woodman-obituary References https://americanart.si.edu/artwork/pillow-pitcher-32774 https://artreview.com/reviews/online_review_betty_woodman_ic a_2016/
