Dongkari Analysis in Tembang Sunda: Unveiling the Artistry of Sapuratina's Collision

ANALISIS DONGKARI PADA LAGU SEBRAKAN SAPURATINA DALAM TEMBANG SUNDA CIANJURAN Muhamad Raudia Sukma Perdana

Tem bangsundastyle cianjuranis an art in the tem bangclum p w hose existence is better know n by the public, especially the Sundanese people. E vidence of its existence can be seen from the regeneration process in each sundanesetem bangart com m unity in W est Java. The specialty of tem bangsundacianjuranis the presence of dongkarior ornam entation. D ongkariis an aesthetic form in the art of tem bang Sundacianjuran.

The purpose The purpose of this article is to describe the dongkarianalysis of tem bang sundacianjuran. To exam ine this problem , researchers used Jakob Sum ardjotheory of A ntagonistic D ualism , know n as Tritangtu(Pattern Three). The theory is used as a basis for researchers' thinking in answ ering the problem of w hy dongkaribecam e the m ain aspect in perform ing tem bangsundacianjuran, especially in the song of Sebrakan Sapuratina.

W riting dongkarior ornam entation in tem bangSunda C ianjuranthat uses sym bols. The shape of this sym bol refers to the nam e of each dongkari. A ccording to Rosliani. (2008, page. 299), ornam ents in the tem bang SundaC ianjuranthere are 18 kinds, that is:

Various kinds of dongkari in the tembangsundacianjuran: 1. Riak( ) 2.Reureueus( ) 3.G ibeg( ) 4.K ait( ) 5. Inghak ( ) 6. Jekluk( ) 7.Rante( ) 8.G edag(Z) 9.L eot( ) 10.L apis(=) 11.B untut( ) 12.Cacag(////) 13.B aledog( ) 14.K edet( ) 15.D orong( ) 16. G alasar( ) 17.G olosor( ) 18.D angheuak( )

The method Researchers use qualitative paradigm s w ith descriptive m ethods so that researchers can describe how the analysis of dongkarion the song Sebrakan Sapuratina. D ata collection techniques in this study w ere conducted by m eans of observation, interview s and docum entation.

discussion The song SebrakanSapuratinais a scale salendrosong that belongs to w andakakaw en. This song has a unique and distinctive lyrics or Rum pakathat is not patterned pupuh, because this song is adopted or duplicated from the art of w ayanggolek. The song is a standardizing the ability of a jurum am aosor singer in the tem bangSundaC ianjuranand is a group of songs w andakakaw enscale salendro. It is stated as a song to standardize the skills of a jurum am aos because the song is very com pleks, judging by the m any dongkari, the long songs, the m any m odulations or displacem ent of the surupanand scale. H ere are the rum paka(lyrics), notations and dongkarianalysis in the SebrakanSapuratinasong:

Sebrakan sapuratina Laras Salendro, Da/1=T/Tugu PART 1 ( ) ( ) 2 1 Gu- nung ( ) ( Z ) ( / / / / ) ( ) ( ) 1 1 ke - lir gus- ti 1 1 1 1 1 1 5 1 5 1 5 4 3 4 5 1 a- ling a-li - ( ) ( ) (/ / / /) 3 1 2 3 3 ( ) ( ) 3 ng----- 1 1 5 4 3 3 3 3 3 3 Waya - ng ha-nuk mring da - lang--, ma - ring dalang ( Z )( ) ( / / / / ) ( ) 4 4 4 4 4 3 2 12 Wong nga wa 4 3 2 ki da lang ( ) ( ) ( )(/ / / /) ( ) 2 2 1 sabi - yang 2 1 1 1 1 1 1 1 1 1 5 1 1 5 1 2 Ke-li-re hayun sa-bi-ta, ha - yun ha - yun-- 2 ta - ( ) ( ) ( ) ( )( ) ( ) ( ) 4 3 2 1 2 3 3 4 5 1 4 Ha nuk mri - ng wa - yang--, yam ring wa ya - ng 5 1 5 1 2 ( ) 4 4 Ma-ja maja ne - ( ) ( ) 4 4 3 4 5 1 5 4 3 4 tro---- ( ) ( ) 2 1 Gu- 1 1 1 1 1 1 1 1 nung ke - lir ( )( ) 1 5 Ma - ( ) 2 3 2 3 4 ja ne - tro-- ( ) gus ti a ling-a ling ( Z ) ( ) ( ) 1 1 1 1 1 1 1 5 1 Wong nga-wayang kidala - ng N otes: B old notation and lyrics are a sign of dongkari. ( ) ( ) ( ) ( ) 4 5 151 2 ng wa - yang 1 5 4 3 Hanuk mri - 3

discussion Dongkari is an ornament in the vocals of Tembang Sunda Cianjuran related to the technique of processing voice. Can be seen most of the dongkari contained in the song as a sapuratina including dongkari beulit, gedag, dorong, cacag, jekluk, leot, riak, galasar, reureueus, inghak and gibeg. This is proof that the song as a sapuratina is a very complex song, especially in the dongkari aspect.

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