Film Genres and Auteur Theory

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Explore the world of film genres and auteur theory, examining how directors influence the structure and style of their films. Discover the concept of genre conventions, iconography, and audience appeal, as well as the significance of auteur theory in filmmaking. Dive into the history and development of genres, reflecting social values and trends over time.

  • Film genres
  • Auteur theory
  • Directors
  • Genre conventions
  • Film history

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Presentation Transcript


  1. INTRODUCTION TO FILM Film Genres

  2. What do these movie posters for the film tell you about its genre: conventions, iconography, audience, etc.?

  3. What do these movie posters for the film tell you about its genre: conventions, iconography, audience, etc.? In other words, what do you know about this film, even before you watched it?

  4. Auteur & Genre

  5. Auteur & Genre Film director and critic Fran ois Truffaut in 1965

  6. Auteur Genre Auteur theory is a term coined by a group of French film critics- turned-filmmakers . Genre means a kind of story or narrative, with common character types, plot lines, and settings. Collectively called the French New Wave, they include Francois Trauffaut (previous page), Jean Luc Goddard, and the U.S. critic Andrew Sarris Examples of film genres: musicals, science fiction, westerns, horror (with sub-genres like slasher films)

  7. Auteur Genre Sarris thinks that there are three basic attributes to the director as the structuring force of a film: technical competence, coherent personal style, and vision (world view, idea, attitude). Genre conventions can include plot development, characteristic film techniques, and iconography. The influence of marketing forces and the factory-like studio system. Master narrative

  8. Auteur Genre The development of auteur theory made film studies possible as an academic discipline. (Kolker, Film, Form, & Culture, p. 138) It has been argued that there are no definitive categorization of genre, and that genre classifications are correct only to a specific moment in history. A director really just makes one film over the course of his career (Jean Renoir) Genres rise and falls in cycles, reflecting social attitudes and values.

  9. Whether we study a genres history, its cultural functions, or its reflection of social trends, conventions remain our best point of departure. (Film Art, p. 118)

  10. Aliens (1986) Dir. James Cameron

  11. Aliens genre analysis

  12. Aliens genre analysis Group work: Working in groups, each focusing on one (or two) of these film genres: western, horror, science fiction, women s film, war film; identify which parts of the film fit into the conventions of these genres, and which parts do not.

  13. Aliens genre analysis Group work: What genre or genres constitute an effective and pertinent context for the reading of this film? (OGFS, p. 336)

  14. Aliens genre analysis Group work: What does our analyses of Aliens say about this film s relationship to the individual genres we identified, and to the generic system as a whole?

  15. Aliens genre analysis Group work: What does our analyses of Aliens say about this film s relationship to the individual genres we identified, and to the generic system as a whole? Furthermore, what does our class analysis tell us about the inclusive and exclusive definitions of genre, as well as diversity in film genres?

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