Graphic Portrayal of Information: Making Your Data Speak

Graphic Portrayal of Information: Making Your Data Speak
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Effective data visualization is crucial for conveying insights clearly. Learn from pioneers like William Playfair, Jacques Bertin, and Edward Tufte who revolutionized the field. Understand the significance of graphical displays in communicating ideas with precision and avoiding distortion. Dive into the world of retinal variables and visual elements to enhance the impact of your data representations.

  • Data visualization
  • Information graphics
  • Visual communication
  • Data interpretation
  • Data insights

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  1. Graphic Portrayal of Information MAKING YOUR DATA SAY SOMETHING VISUALLY

  2. The purpose of visualization, is insight, not pictures. Ben Shneiderman, founding director of the Human-Computer Interaction Laboratory at the University of Maryland MAKING YOUR DATA SAY SOMETHING VISUALLY

  3. Why Graphics Theory Matters

  4. It matters because Like good writing GRAPHICAL DISPLAYS OF DATA COMMUNICATE IDEAS with clarity precision efficiency

  5. It matters because Like poor writing, BAD GRAPHICAL DISPLAYS distort or obscure the data make it harder to understand or compare or otherwise thwart the communicative effect which the graph should convey

  6. Three big names William Playfair The Commercial and Political Atlas (1786) Jacques Bertin The Semiology of Graphics (1967/1983) Book Cover Edward Tufte The Visual Display of Quantitative Information (1983)

  7. William Playfairs Contributions Playfair first published The Commercial and Political Atlas in 1786, in London. It contained 43 time series plots and one bar chart, a form apparently introduced in this work. It has been described as the first major work to contain statistical graphs.

  8. Jacques Bertins Contributions Jacques Bertin sSemiology of Graphics (1967/1983) systematically classified the use of visual elements to display data and relationships in 1997 Jacques Bertin Bertin's system consists of seven visual variables: position, shape , color hue, orientation, texture, size, and value, combined with a visual semantics for linking data attributes to visual elements.

  9. Bertins Retinal Variables so called because the retina of the eye is sensitive to them, independent of the location of the object

  10. Edward Tufte Book Cover

  11. Graphical Excellence that which gives the viewer the greatest number of ideas in the shortest time with the least ink in the smallest space Book Cover

  12. Graphical Excellence that which gives the viewer the greatest number of ideas in the shortest time with the least ink in the smallest space Minard smap of Napoleon s march to and from Moscow Book Cover

  13. Graphical Excellence a bit closer

  14. Graphical Integrity representation of numbers should be directly proportional to the numerical quantities represented

  15. Graphical Integrity representation of numbers should be directly proportional to the numerical quantities represented graphics must not quote

  16. Graphical Integrity representation of numbers should be directly proportional to the numerical quantities represented graphics must not quote out of context clear, detailed, and thorough labeling should be used to defeat graphical distortion and ambiguity

  17. Graphical Integrity representation of numbers should be directly proportional to the numerical quantities represented graphics must not quote out of context clear, detailed, and thorough labeling should be used to defeat graphical distortion and ambiguity show data variation, not design variation

  18. Graphical Integrity representation of numbers should be directly proportional to the numerical quantities represented graphics must not quote out of context clear, detailed, and thorough labeling should be used to defeat graphical distortion and ambiguity show data variation, not design variation

  19. Graphical Integrity representation of numbers should be directly proportional to the numerical quantities represented graphics must not quote out of context 100 clear, detailed, and thorough labeling should be used to defeat graphical distortion and ambiguity 80 90 show data variation, not design variation 70 60 50 40 30 20 10 0 1979 84 89 94 99 2004

  20. Graphical Integrity representation of numbers should be directly proportional to the numerical quantities represented graphics must not quote out of context clear, detailed, and thorough labeling should be used to defeat graphical distortion and ambiguity show data variation, not design variation

  21. Graphical Integrity representation of numbers should be directly proportional to the numerical quantities represented graphics must not quote out of context clear, detailed, and thorough labeling should be used to defeat graphical distortion and ambiguity show data variation, not design variation

  22. Graphical Integrity graphics must not quote out of context clear, detailed, and thorough labeling should be used to defeat graphical distortion and ambiguity show data variation, not design variation New York Times 19 Dec 1978

  23. Graphical Integrity clear, detailed, and thorough labeling should be used to defeat graphical distortion and ambiguity Washington Post

  24. Graphical Integrity clear, detailed, and thorough labeling should be used to defeat graphical distortion and ambiguity Hannah Fairfield, former editor for The New York Times, and now graphics director for The Washington Post, had a look at gas prices versus miles driven per capita. The chart could ve easily been an x-y scatterplot, but the extra step was taken to connect the dots so to speak. Points were ordered by time, and turns were clearly explained graphically. Miles driven per capita is on the horizontal, and the adjusted price of gasoline is on the vertical. The drawn path indicates order in time. Americans have driven more miles every year than the year before, almost every year, but there s been a swing as of late. High unemployment has meant less people driving to work, and less consumer spending means less freight moving across the country. As a result, the path appears to swing in the opposite direction. New York Times 02 May 2010

  25. Graphical Integrity clear, detailed, and thorough labeling should be used to defeat graphical distortion and ambiguity New York Times 16 March 2018

  26. From all over North Carolina Home Towns of NC Residents 12 Charlotte 10 Greensboro Chapel Hill 8 Camden Catawba Clemmons Cornelius Council Denver Cary 6 Raleigh Elizabeth City Elizabethtown Fuquay Varina Hope Mills Hubert Jacksonville Kinston Durham Hickory New Bern Oak Ridge Pittsboro Reidsville Rocky Mount Saint James Salisbury 4 Taylorsville Thurmond Wake Forest Waynesville Whiteville Wilmington Sanford Apex Carrboro Lenoir Matthews Knightdale Marion Mars Hill Waxhaw Weddington 2 Clinton Fayetteville High Point Wilson Asheboro Winston-Salem Ash Asheville Biltmore Lake Gastonia Graham Henderson Moyock Summerfield Mebane Indian Trail Hillsborough Morrisville Statesville 0 La GrangeLaurinburg Morehead City Burlington Spencer Highlands BSIS Program

  27. Graphical elegance is found in simplicity of design

  28. Graphical elegance is found in simplicity of design

  29. Graphical elegance can be elegant and artsy

  30. Graphical elegance can be elegant and artsy

  31. Graphical elegance can be elegant and unconfusing Instead of this

  32. Graphical elegance can be elegant and unconfusing the same data, more clearly

  33. Tufte's Rules Tone down secondary elements of a picture layer the figure to produce a visual hierarchy

  34. Tufte's Rules Replace coded labels in the figure by direct ones

  35. Tufte's Rules Replace coded labels in the figure by direct ones

  36. Tufte's Rules Produce emphasis by using the smallest possible effective distinctions

  37. Tufte's Rules Eliminate all unnecessary parts of a figure

  38. 85/61 female/male ratio 80 Gender Mix of BSIS Students 70 60 Male, 34 50 18 40 30 Female, 42 20 35 8 10 7 1 1 0 Majors Minors Pre-declared Business School IS majors 2/27/2025 BSIS Program

  39. Tufte's Rules Use small multiples numerous repetitions of a single figure with slight variations https://media.opennews.org/img/uploads/article_images/year-map-labels.png we plotted a map for each year, with each station colored by its percentage of WARM and STRONG WARM anomalies for that year. This approach had the advantage of communicating the geographic fingerprint of anomalies, like the effect of strong El Nino years (1992, 1996 and 1997) on the West Coast

  40. Tufte's Rules Make the graphics carry a story

  41. Is this important? IT CAN BE

  42. Theory in Practice people drew their most critical information from two simple charts, screened by an overhead projector. The graphs displayed tiny pictures of each shuttle booster, lined up in chronological order, showing launch temperatures and any O ring damage.

  43. Theory in Practice They looked like so many crayons in a box, and when the engineers and managers finished looking at them, they didn t know any more than they had before.

  44. Theory in Practice Extrapolation of damage curve to the cold Challenger: 31 degrees forecasted temperature for launch on January 28, 1986

  45. Effective graphical data portrayal CAN BE CRITICAL IN MANY SITUATIONS

  46. How display can alter one s perception GAPMINDER

  47. Lets spend 20 productive minutes

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