Inspirational Ideas for GCSE Dance Choreography

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Dive into the world of creative inspiration with this collection of stimulus options for GCSE Dance choreography, including sounds, Banksy artwork, religious objects, the Giant's Causeway, and the Jazz Age. Unleash your creativity and explore the rich potential each stimulus offers to develop a unique and captivating dance piece. Get ready to craft a compelling choreographic intent rooted in your chosen stimulus and showcase your artistic vision in the realm of dance.

  • GCSE Dance
  • Choreography
  • Inspiration
  • Stimulus
  • Creative

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  1. GCSE Dance 2020-2021 Choreography

  2. Please use this PowerPoint as starting ideas if needed: Questions Choose one of the following, as a stimulus for your choreography: a) one or more words that describe sound b) an artwork by Banksy c) a religious object d) The Giant's Causeway e) The Jazz Age

  3. a) one or more words that describe sound The formation of a word from a sound associated with the thing it describes is known as onomatopoeia; the related adjective is onomatopoeic. Examples of this type of word include atishoo, cuckoo, croak, hiccup, miaow, ping- pong, splash, and sizzle

  4. b) an artwork by Banksy

  5. c) a religious object

  6. d) The Giant's Causeway According to legend, the columns are the remains of a causeway built by a giant. The story goes that the Irish giant Fionn mac Cumhaill (Finn MacCool), from the Fenian Cycle of Gaelic mythology, was challenged to a fight by the Scottish giant Benandonner. Fionn accepted the challenge and built the causeway across the North Channel so that the two giants could meet. In one version of the story, Fionn defeats Benandonner. In another, Fionn hides from Benandonner when he realises that his foe is much bigger than he is. Fionn's wife, Oonagh, disguises Fionn as a baby and tucks him in a cradle. When Benandonner sees the size of the 'baby', he reckons that its father, Fionn, must be a giant among giants. He flees back to Scotland in fright, destroying the causeway behind him so that Fionn would be unable to chase him down.Across the sea, there are identical basalt columns (a part of the same ancient lava flow) at Fingal's Cave on the Scottish isle of Staffa, and it is possible that the story was influenced by this.

  7. e) The Jazz Age The Jazz Age was a period in the 1920s and 1930s in which jazz music and dance styles rapidly gained nationwide popularity in the United States. The Jazz Age's cultural repercussions were primarily felt in the United States, the birthplace of jazz.

  8. PROGRAMME NOTE: You must provide a description of how the choreographic intent of your dance was developed using your chosen stimulus (approximately 120-150 words). The Programme Note must also include the following information (not included in the word count): your name and candidate number your centre number and centre name the choice of the set assessment stimulus you responded to e.g. a) a recipe the TITLE of your dance a description, citation or image of the specific stimulus you have used e.g. the fractal you were inspired by citations of the title and musician/artist for any aural accompaniment used.

  9. Criteria Selection and use of appropriate action and dynamic content to realise choreographic intent Selection and use of appropriate spatial content (and relationship content where appropriate) to realise choreographic intent Selection and use of appropriate structuring devices and form to realise choreographic intent Selection and use of Appropriate choreographic devices to realise choreographic intent Selection and use of appropriate aural setting (and performance environment where appropriate) to realise choreographic intent 40 MARKS Selection and use of action and dynamic content is exceptionally creative and effective, demonstrating a Sophisticated understanding of choreography. Selection and use of spatial content (and relationship content where appropriate) is exceptionally creative and effective, demonstrating a sophisticated understanding of choreography. Selection and use of structuring devices and form is exceptionally creative and effective, demonstrating a sophisticated understanding of choreography. Selection and use of choreographic devices is exceptionally creative and effective, demonstrating a sophisticated understanding of choreography. Selection and use of aural setting (and performance environment where appropriate) is exceptionally creative and effective, demonstrating a sophisticated understanding of choreography. Selection and use of aural setting (and performance environment where appropriate) is highly creative and effective, demonstrating a coherent understanding of choreography. 8 Clear 7 Just Selection and use of action and dynamic content is highly creative and effective, demonstrating a coherent understanding of choreography. Selection and use of spatial content (and relationship content where appropriate) is highly creative and effective, demonstrating a coherent understanding of choreography. Selection and use of structuring devices and form is highly creative and effective, demonstrating a coherent understanding of choreography. Selection and use of choreographic devices is highly creative and effective, demonstrating a coherent understanding of choreography. 6 Clear

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