THE AUDIO DESCRIPTION PROCESS
Explore the detailed process of creating audio descriptions for multimedia content, covering parameters like type of product, additional services, and technical requirements. Delve into stages such as preparation, scripting, voicing, mixing, quality control, and feedback, understanding the role of specialists involved. Gain insights into creating AD scripts, selecting voices, recording, and performing, with quality control integrated at every stage to ensure accuracy. Discover the importance of feedback from production teams and users in enhancing the audio description experience.
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THE AUDIO DESCRIPTION PROCESS MODULE 1 UNIT 5 NINA REVIERS UNIVERSITY OF ANTWERP Dept. of Legal, Language, Translation and Interpreting Studies, Section of in Modern Languages for Interpreters and Translators University of Trieste, Via Filzi, 14 - 34144 Trieste, Italy Project numberStudies: 2016-1-IT02-KA203-024311 www.adlabproject.eu FUNDED BY THE ERASMUS + PROGRAMME OF THE EUROPEAN UNION
IN THIS UNIT Parameters of the AD workflow. Stages in the AD workflow. Role of specialists involved.
PARAMETERS Type of product: recorded or live? Additional services: audio introductions or audio-subtitles? Creation approach: post-production or integrated AD? Technical requirements: recording and distribution? Scope: time and budget?
STAGES Preparation. Scripting. Voicing. Mixing/performing. Quality control. Feedback.
PREPARATION Determine the parameters of the project.
SCRIPTING Create the AD-script: Analyse the source text. Time the descriptions. Write the descriptions. Review and edit the descriptions.
VOICING Select appropriate voices. Rehearse. Record.
MIXING/PERFORMING Recorded AD: mix voices in the soundtrack. Live AD: perform the AD-script.
QUALITY CONTROL Integrated after each stage in the AD process. Mistakes cannot be corrected after recording!
FEEDBACK From the production team. From AD users.
SPECIALISTS Single describer AD team
SPECIALISTS The organiser. The artistic team. The AD team.
THE ORGANISER Film production company. Broadcaster. Cultural venue. Sports organisation. Museum curator. Etc.
THE ORGANISER Film production company. Broadcaster. Preparation & feedback Cultural venue. Sports organisation. Museum curator. Etc.
ARTISTIC TEAM Directors and assistants. Actors or artists. Directors of photography. Sound designers. Costume and stage designers. Scriptwriters.
ARTISTIC TEAM Directors and assistants. Actors or artists Scripting Directors of photography. Sound designers. Costume and stage designers. Scriptwriters.
AD TEAM Audio describer. Final editor. Visually impaired advisor. AD director. Voice talents. AD sound technician.
AD TEAM Audio describer. Final editor. All stages Visually impaired advisor. AD director. Voice talents. AD sound technician.
THE AUDIO DESCRIPTION PROCESS MODULE 1 UNIT 5 NINA REVIERS UNIVERSITY OF ANTWERP Dept. of Legal, Language, Translation and Interpreting Studies, Section of in Modern Languages for Interpreters and Translators University of Trieste, Via Filzi, 14 - 34144 Trieste, Italy Project numberStudies: 2016-1-IT02-KA203-024311 www.adlabproject.eu FUNDED BY THE ERASMUS + PROGRAMME OF THE EUROPEAN UNION
The preparation of this presentation was supported by ADLAB PRO (Audio Description: A Laboratory for the Development of a New Professional Profile), financed by the European Union under the Erasmus+ Programme, Key Action 2 Strategic Partnerships, Project number:2016-1-IT02-KA203-024311.
The information and views set out in this presentation are those of the authors and do not necessarily reflect the official opinion of the European Union. Neither the European Union institutions and bodies nor any person acting on their behalf may be held responsible for the use which may be made of the information contained therein.
